Ars Amatoria 
34 scents (50%) owned out of 67; 64 available now.
Formerly known as "Love Potions".
Strong as death, and cruel as the grave, Clothed with cloud and tempest's blackening breath, Known of death's dread self, whom none outbrave, Strong as death,
Love, brow-bound with anguish for a wreath, Fierce with pain, a tyrant-hearted slave, Burns above a world that groans beneath.
Hath not pity power on thee to save, Love? hath power no pity? Nought he saith, Answering: blind he walks as wind or wave, Strong as death.
Unloving love: benzoin, Indian musk, massoia bark, myrrh, ambrette seed, galbanum, bergamot, and fir.
Was this His coming! I had hoped to see A scene of wondrous glory, as was told Of some great God who in a rain of gold Broke open bars and fell on Danae: Or a dread vision as when Semele Sickening for love and unappeased desire Prayed to see God's clear body, and the fire Caught her brown limbs and slew her utterly: With such glad dreams I sought this holy place, And now with wondering eyes and heart I stand Before this supreme mystery of Love: Some kneeling girl with passionless pale face, An angel with a lily in his hand, And over both the white wings of a Dove. A pale, delicate, truly angelic men's blend. A scent created to emulate Adonis' halo of beauty: fragile, distant, and radiant. Rosewood with Sicilian lemon peel, red Mysore sandalwood, pale musks, sweet mountain sage and a dusting of lily, night-blooming jasmine and orris.
The Seventh Daughter, Daughter of the Oath. She was King David's lover, and the mother of King Solomon. Her scent is breathtakingly lovely, exotic and powerfully sensual in its innocence: carnation, sensual plum, and Arabian musk.
This is the house, the sacred box, Where, always draped in languorous frocks, And always at home if someone knocks,
One elbow into the pillow pressed, She lies, and lazily fans her breast, While fountains weep their soulfullest:
This is the chamber of Dorothy. — Fountain and breeze for her alone Sob in that soothing undertone. Was ever so spoiled a harlot known?
With odorous oils and rosemary, Benzoin and every unguent grown, Her skin is rubbed most delicately. — The flowers are faint with ecstasy.
The Scarlet Woman, aglow with sensual indolence: red musk, benzoin, caramel accord, golden honey, and spiced Moroccan unguents.
A decadent, deep perfume, lusty and luxuriant. The scent evokes images of velvet-lined Old West cathouses, tightly laced corsets, rustling petticoats and coquettish snarls of pleasure. Bawdy plum with amaretto, burgundy wine and black currant.
The amber necklace of Freyja, Norse Goddess of Love, Sex, Attraction and Fruitfulness. Her magnificent necklace was bough from four Dwarves [Alfrik, Berling, Dvalin and Grer] at the price of four nights of her passion. When Brisingamen graces your throat, no man can resist your charms. A glittering mantle of rich golden notes: five ambers, soft myrtle and apple blossom, myrtle, and carnation.
Decadent, flamboyant, and fiercely seductive! Passionate red musk mixed with jasmine and wisteria.
Bold, bright mandarin paired with the sweet, sensual earthiness of fig.
A name synonymous with seduction and licentiousness. From childhood aspirations of seclusion and priesthood came Giacomo Casanova, the self-styled Chevalier de Seingalt, the most notorious debauchee and playboy of all time. His memoirs, Histoire de Ma Vie, enflamed the Enlightenment with scandal and tales of sexual conquest. His restless nature and flair for sensationalizing his adventures drew him into and out of fortune, through numerous careers and affairs, and led him into a brief altercation with the Inquisition and a conviction on the charge of witchcraft. Though he had a life rife with drama and intrigue, he died peacefully at the age of 73, librarian to the Count of Waldstein. Who says librarians can't be sexy? A rakish blend of leather, anise, lavender, bergamot and amber with tonka, lemon peel and lusty patchouli.
A sinful, licentious scent: self-indulgent and luxurious. Mingled heady civet and red Egyptian musk, thickened with opium.
Deep in earth my love is lying
And I must weep alone.
Rose geranium, Spanish moss, Irish yew, and graveyard dirt.
Good Gods, what a night that was,
The bed was so soft, and how we clung,
Burning together, lying this way and that,
Our uncontrollable passions
Flowing through our mouths.
If I could only die that way,
I'd say goodbye to the business of living.
Olive blossom, honey, smoky vanilla, cinnamon, jasmine, sandalwood, and champaca flower.
In ancient India it was believed that a specific combination of flower petals, when strewn across a couple's bed, would amplify desire and sexual pleasure. This blend is a blend of the same floral essences, refined into a gloriously sinful perfume blend. Frangipani, with rose, tuberose, and jasmine.
A salacious, lecherous, leering scent - dirty and dark, slapped with a wet sweetness. Earthy black patchouli swelling with apricot.
Wow, exactly what the description says. Wet earth, loamy, big chunks of it in your hands. You're down in it, turning over your flowerbeds. Or perhaps this is the smell of the hothouse Chandler described in the opening scene of The Big Sleep. Whatever it is that makes this patchouli dark makes it work on me.
The overwhelming agony of passion crystallized into a singularly dark and magnetic blend: bittersweet neroli, black patchouli and black musk, gilded by apple, bergamot, blood red rose, teak, and vanilla.
Selune, the Moon Goddess, fell in love with a beautiful shepherd named Endymion. She appealed to Zeus, asking him to cast Endymion into everlasting slumber so that she could be with him for all eternity. Her wish was granted, and every night the Goddess visited her love as he slept. A sweet, wistful blend of d'Anjou pear, Lily of the Valley, bois du rose and white musk.
Hic habitat felicitas! The penis was a potent and popular symbol of good fortune, strength, power, and fertility in ancient Rome. Images of phalluses adorned Roman homes and shops, bringing the positive energy that the symbol represents into the lives of the inhabitants.
Golden amber, golden musk, litsea cubeba, cedar, and saffron.
As light and innocent as your first time should have been. The fresh scent of lotus hidden behind lightly scented flowers, amber, and citrus.
Insatiable lust, unending vigor! A truly carnal, energetic men's blend: vanilla and amber with juniper, rosewood and white pine.
The smoothness of the vanilla + amber counteracts the spiky scents of the evergreens. The rosewood doesn't make itself known when it's wet. Surprisingly coherent. I like it.
Based on a Romany incense blend reputed to induce sexual dreams: Somalian rose, Moroccan rose and Bulgar rose with a sultry dribble of cinnamon.
The sublimely beautiful, fiercely independent, impeccably cultured, fascinatingly worldly and witty courtesans of ancient Greece. A seductive and dazzling blend of golden honey, fiery patchouli, sweet fig and clove, and a blushing touch of ylang ylang.
Evokes sheer, unadulterated carnal lust. An undeniably warm and sensual scent. Black narcissus, orange blossoms, and vanilla.
A tawdry Hollywood tragedy, the essence of innocence lost amongst casting couch cushions. Wild clover and gentle melon interlaced with violet leaf, water lilies, smooth wooden notes, and blushing rose.
Biblical witch, priestess of Astarte, and general troublemaker. A true role model for today's upwardly mobile Modern Woman. A gloriously decadent blend of honey, roses, orange blossom and sandalwood.
Compelling, complex, and utterly enigmatic: a luxuriant, exotic blend of cherry, red musk, and star anise.
We sang till almost night, and drank my good store of wine; and then they parted and I to my chamber, where I did read through L'Escholle des Filles; a lewd book, but what doth me no wrong to read for imagination's sake… and after I had done it, I burned it, that it might not be among my books to my shame.
Published around 1655, this is considered to be the origin of modern pornography in France. It is a discourse between two young ladies, the elder instructing the younger in the ways of passion.
This is a libertine's celebration of decadence, debauchery, and sexual freedom: orange blossom, ambergris, orris root, white rose, lemon balm, jonquil, carrot seed, and benzoin.
The Sleeping Beauty. A gentle, lovely scent, slightly soporific, but beautiful in its quiet repose. Plumeria and white pear, Damascus rose, tuberose, magnolia and evening dew.
Heard a carol, mournful, holy, Chanted loudly, chanted lowly, Till her blood was frozen slowly, And her eyes were darkened wholly, Turn'd to tower'd Camelot. For ere she reach'd upon the tide The first house by the water-side, Singing in her song she died, The Lady of Shalott. The scent of calm waters just before a raging storm, limned with achingly-beautiful blooms, an icy scent, but somehow warm, and mirror-bright: bold gardenia, crystalline musk, muguet, water blossoms, clear, slightly tart aquatic notes and a crush of white ginger.
Seduction, sensuality, the Act, and the aftermath all in one. The scent of warm, damp skin flushed with the glow of passion, touched by the luxuriant potency of ylang ylang and myrrh.
When, as by glaciers ground, the spate Swells hissing from beneath, The water of your mouth, elate, Rises between your teeth — It seems some old Bohemian vintage Triumphant, fierce, and tart, A liquid heaven that showers a mintage Of stars across my heart. A sinister, darkly seductive scent inspired by poetry of Charles Baudelaire. Violet entwined with vanilla and gardenia.
My well-beloved was stripped. Knowing my whim,
She wore her tinkling gems, but naught besides:
And showed such pride as, while her luck betides,
A sultan's favored slave may show to him.
When it lets off its lively, crackling sound,
This blazing blend of metal crossed with stone
Gives me an ecstasy I've only known
Where league of sound and lustre can be found.
She let herself be loved: then, drowsy-eyed,
Smiled down from her high couch in languid ease.
My love was deep and gentle as the seas
And rose to her as to a cliff the tide.
My own approval of each dreamy pose,
Like a tamed tiger, cunningly she sighted:
And candour, with lubricity united,
Gave piquancy to every one she chose.
Her limbs and hips, burnished with changing lustres
Before my eyes, clairvoyant and serene,
Swanned themselves, undulating in their sheen;
Her breasts and belly, of my vine the clusters,
Like evil angels rose, my fancy twitting,
To kill the peace which over me she'd thrown,
And to disturb her from the crystal throne
Where, calm and solitary, she was sitting.
So swerved her pelvis that, in one design,
Antiope's white rump it seemed to graft
To a boy's torso, merging fore and aft.
The talc on her brown tan seemed half-divine.
The lamp resigned its dying flame. Within,
The hearth alone lit up the darkened air,
And every time it sighed a crimson flare
It drowned in blood that amber-coloured skin.
Skin musk and honey, blood-red rose, orange blossom, white peach, red apple, frankincense and myrrh.
The skin musk is the basis. The honey is the dominant note-- sweet, slightly corrupt, most definitely sexual. Reminds me a bit of O because of the honey, but this is sweeter and more floral.
Definitely a perfume to wear to put your partner in the mood.
Like a puffed and reckless libertine, Himself the primrose path of dalliance treads. Rosewood and chamomile with bergamot, violet, red sandalwood, primrose and Arabian musk.
I am a rose of Sharon, a lily of the valleys. As a lily among thorns, so is my love among the daughters. As the apple tree among the trees of the wood, so is my beloved among the sons. I sat down under his shadow with great delight, his fruit was sweet to my taste. He brought me to the banquet hall. His banner over me is love. Strengthen me with raisins, refresh me with apples; For I am faint with love. His left hand is under my head. His right hand embraces me. I adjure you, daughters of Jerusalem, by the roes, or by the hinds of the field, that you not stir up, nor awaken love, until it so desires. The voice of my beloved! Behold, he comes, leaping on the mountains, skipping on the hills. My beloved is like a roe or a young hart. Behold, he stands behind our wall! He looks in at the windows. He glances through the lattice. My beloved spoke, and said to me, "Rise up, my love, my beautiful one, and come away. For, behold, the winter is past. The rain is over and gone. The flowers appear on the earth. The time of the singing has come, and the voice of the turtledove is heard in our land. The fig tree ripens her green figs. The vines are in blossom. They give forth their fragrance. Arise, my love, my beautiful one, and come away." My dove in the clefts of the rock, In the hiding places of the mountainside, Let me see your face. Let me hear your voice; for your voice is sweet, and your face is lovely. Catch for us the foxes, the little foxes that spoil the vineyards; for our vineyards are in blossom. My beloved is mine, and I am his. He browses among the lilies. Until the day is cool, and the shadows flee away, turn, my beloved, and be like a roe or a young hart on the mountains of Bether. Hibiscus syriacus, white sandalwood, lily of the valley, apple blossom, and green fig.
Bright, sweet and youthful, but swelling with a poisonous sexuality. Glittering heliotrope, honeysuckle, orange blossom and lemon verbena.
A tragic heroine from German lore. In despair over a faithless lover, she threw herself into the Rhine. In death, she has become a siren that haunts that river to this day, luring sailors to their doom. Neroli, sandalwood, ylang ylang.
Love's torments sought a place of rest,
Where all might drear and lonely be;
They found ere long my desert breast,
And nestled in its vacancy.
White sandalwood, neroli, and vetiver.
Created to represent the essence of Bram Stoker's tragic herione, Lucy Westenra. Seductive, wanton and deadly, but underscored with a soft, wistful innocense. The gentle scent of rose and a blend of Victorian spices
A gentle vision of purity, goodness and virtue: white tea, carnation and Damask Rose.
A light perfume for lovers of florals: rose underneath, carnation above and adding spice; the tea keeps it from being too innocent. Inoffensive, cheerful, mild. A lovely scent to wear to a traditional wedding, or a garden party.
A light, invigorating floral and citrus blend. Tuberose, lotus and jasmine with a hint of lime.
The Beautiful One Is Come". Egyptian iris and olibanum with red and white sandalwood
soft myrrh and a breath of North African herbs. "
The scent of sexual obsession, slavery to sensual pleasure, and the undercurrent of innocence defiled utterly. Amber and honey with a touch of vanilla.
Well, that's sort of overheated prose in the description. And yet... amber, vanilla, and then the honey somehow corrupts it. It's the weirdest thing. A nice mellow scent with these little moments of corruption and sex. I slept last night wearing this, and it was quite disturbing. How much of this was the power of suggestion in the description?
Black tobacco, oakmoss, vanilla bean and smoky sweet coconut with a burst of thin white wine.
I think the chardonnay isn't agreeing with me. There's an acidic or sharp note that I'm not liking. David said it was "interesting".
An unwholesome scent. A craving, an itch. This scent smoulders with a lust that singes the edge of your nerves and leaves your soul chilled: red amber and scorched musk with voluptuous carnation, charred vetiver, sensuous tonka, and orris.
The tale of Cupid and Psyche is both a perfect love story and an allegory for the soul's search to reunite with Deity. This is the scent of true love, your heart's deepest, purest desires. Bulgar rose, Chinese white musk, lavender, orchid and frankincense.
A profoundly erotic, lascivious scent. Black poppy, narcissus and civet.
A woman of exquisite, unearthly beauty, profound intelligence, wit, and exceeding wealth, the Queen of Sheba – called Bilquis by the Muslims and Makeda by the ancient Abysinnians – traveled by caravan to Solomon's realm seeking proof of the king's reputed wisdom. Bearing gifts of exotic spices, a veritable mountain of gold, hearty camels and precious stones, she presented herself to the king and, bearing her heart to him, asked him a series of challenging questions, and was ultimately convinced of the truth of his wisdom, knowledge and judiciousness. In the end, the great king and queen conquered each other's hearts and fell breathlessly in love: the perfect marriage of equals. Her scent is a bounty of golden honeyed almonds and a whisper of African and Middle Eastern spices.
I'm gonna go with almonds, honey, and a hint of spice. Pretty much exactly what you'd think. Not all that foody, though. Pleasant.
Sensual ecstasy, the blinding red fire of the apex of sexual pleasure: Moroccan rose, Sumatran rose, mandarin, Egyptian myrrh, night-blooming jasmine, bergamot and neroli thrust into Arabian musk.
An utterly feral, thoroughly rousing perfume. Red patchouli sweetened by orange blossom.
And when a convenient day was come, that Herod on his birthday made a supper to his lords, high captains, and chief estates of Galilee; And when the daughter of the said Herodias came in, and danced, and pleased Herod and them that sat with him, the king said unto the damsel, Ask of me whatsoever thou wilt, and I will give it thee. And he sware unto her, Whatsoever thou shalt ask of me, I will give it thee, unto the half of my kingdom. And she went forth, and said unto her mother, What shall I ask? And she said, The head of John the Baptist. And she came in straightway with haste unto the king, and asked, saying, I will that thou give me by and by in a charger the head of John the Baptist. And the king was exceeding sorry; yet for his oath's sake, and for their sakes which sat with him, he would not reject her. And immediately the king sent an executioner, and commanded his head to be brought: and he went and beheaded him in the prison, and brought his head in a charger, and gave it to the damsel: and the damsel gave it to her mother. And when his disciples heard of it, they came and took up his corpse, and laid it in a tomb. A scent that is both coquettish and sinister. Exotic and lush, brimming with grace and viciousness: almond with star jasmine, oakmoss, red sandalwood and Egyptian musk.
Unrestrained revelry, unchained licentiousness! Violet deepened with vetiver.
Unleash the bawdy, unrestrained passion of the satyr! A ferociously masculine scent: sexual, vigorous, and truly wild.
Strange goddess, brown as evening to the sight, Whose scent is half of musk, half of havanah, Work of some obi, Faust of the Savanah, Ebony witch, and daughter of the night. By far preferred to troth, or opium, or sleep, Love vaunts the red elixir of your mouth. My caravan of longings seeks in drouth Your eyes, the wells at which my cares drink deep. Through those black eyes, by which your soul respires, Pitiless demon! pour less scorching fires. I am no Styx nine times with flame to wed. Nor can I turn myself to Proserpine To break your spell, Megera libertine! Within the dark inferno of your bed. A pounding heartbeat coalesced into scent: demonic passion and brutal sexuality manifested through myrrh, red patchouli, cognac, honey, and tuberose and geranium in a breathy, panting veil over the darkest body musk.
In long-ago Arabia, harem girls rubbed an herbal poultice formed from a blend of sensual, luxuriant herbs and oils onto their bodies to prepare themselves for the Sultan's pleasure. This lush, indulgent perfume is based on that ancient formula. Sweet almond and Mysor sandalwood enveloped by a heady veil of Bulgarian Rose, neroli, nutmeg, clove and orange peel.
Leopold von Sacher-Masoch, the Father of Masochism and sexual surrender, had planned on writing six volumes of erotic literature entitled The Heritage of Cain. Only the first two volumes were completed, the more famous of the two being the notorious Venus in Furs. This novel tells the tale of a man, Severin, that enters into a relationship of slavery and increasingly debauched degradation with his mistress, Wanda. Dry black teas, Earl Gray, and leather.
Bewitching, tantalizing and dangerously seductive. A thrilling, exotic blend — deceptively sweet, but spiked with malice. White ginger, jasmine, and a touch of vanilla.
By far, our most popular scent! Magnetic, mysterious, and exceedingly sexual in nature. A blend of exotic Indonesian oils sugared with vanilla.
Wet: baby powder. David and I were in strong agreement on that. Dries down to a sweet, slightly spicy vanilla, with a hint of baby powder behind it. Nothing wrong with this, but Dragon's Milk didn't go powdery at all, so I like it much better. This is BPAL's most popular scent, by the way. Part of my very first BPAL order, and one of the first scents I tried. I came to like it better than this after the Snake Pit taught me the goodness of the Snake.
Perfectly enchanting! An irresistibly sexual, utterly rapturous blend of three roses, radiant amber, and sensual red musk.
Like a nicer sort of occult shop. Something about the rose and the musk comes across as incense, not as flower garden. Uplifting, cheerful, but not youthful.
Bat-winged, flame-eyed, and possessed of an unearthly, perfect beauty: the Daughters of Lilith, the Succubi, invade the dreams of men and lie with them in rapturous, unholy sexual union. The scent of their skin is bittersweet, dusky and terminally seductive. Mimosa, orange blossom, neroli and bergamot with a drop of sweet clove.
A Latin word that means to sigh or draw a deep breath, that also suggests longing, desire, yearning, and a passionate wish. Ylang ylang with white plum, white orchid, jasmine, calla lily and lily of the valley.
The Demon, in my chamber high, This morning came to visit me, And, thinking he would find some fault, He whispered: "I would know of thee Among the many lovely things That make the magic of her face, Among the beauties, black and rose, That make her body's charm and grace, Which is most fair?" Thou didst reply To the Abhorred, O soul of mine: "No single beauty is the best When she is all one flower divine. When all things charm me I ignore Which one alone brings most delight; She shines before me like the dawn, And she consoles me like the night. The harmony is far too great, That governs all her body fair, For impotence to analyse And say which note is sweetest there. O mystic metamorphosis! My senses into one sense flow — Her voice makes perfume when she speaks, Her breath is music faint and low!" An expression of love, adoration, and desire, of beauty that transcends mortal desire and piques the interest of hell itself: attar of rose, calla lily, palmarosa, peach blossom, wisteria, rice flower, and black musk.
Thy fatal shafts unerring move, I bow before thine altar, Love. I feel thy soft resistless flame Glide swift through all my vital frame.
For while I gaze my bosom glows, My blood in tides impetuous flows; Hope, fear, and joy alternate roll, And floods of transports whelm my soul.
My faltering tongue attempts in vain In soothing murmurs to complain; My tongue some secret magic ties, My murmurs sink in broken sighs.
Condemned to nurse eternal care,
And ever drop the silent tear,
Unheard I mourn, unknown I sigh,
Unfriended live, unpitied die.
Benzoin, cassis bud, patchouli, rose otto, and petitgrain.
I promised her my eternal love, and I actually thought that for a couple of hours. Rake, scoundrel, demon in a frock coat. Devilishly seductive, ultimately tragic; a villain undone and redeemed by love. Based on an 18th century gentlemen's cologne: ambergris, white musk, white sandalwood, Spanish Moss, orange blossom, three mints, jasmine, rose geranium and a spike of rosemary.
Lascivious, flirtatious, and vampy as hell. A true heartbreaker's perfume. The innocence of orange blossom tainted by the beguiling scents of ginger and patchouli.
"And yet a restless, always unsatisfied craving for the nudity of paganism," she interrupted, "but that love, which is the highest joy, which is divine simplicity itself, is not for you moderns, you children of reflection. It works only evil in you. As soon as you wish to be natural, you become common. To you nature seems something hostile; you have made devils out of the smiling gods of Greece, and out of me a demon. You can only exorcise and curse me, or slay yourselves in bacchantic madness before my altar. And if ever one of you has had the courage to kiss my red mouth, he makes a barefoot pilgrimage to Rome in penitential robes and expects flowers to grow from his withered staff, while under my feet roses, violets, and myrtles spring up every hour, but their fragrance does not agree with you. Stay among your northern fogs and Christian incense; let us pagans remain under the debris, beneath the lava; do not disinter us. Pompeii was not built for you, nor our villas, our baths, our temples. You do not require gods. We are chilled in your world." Along with Loviatar, she has become something of a 21st century Patron Goddess of all Dominatrixes. While Loviatar is the Goddess of Pain, Wanda govens Control. She is the breathtakingly beautiful sable-wrapped marble queen of Sacher-Masoch's fantasies. Her scent is a deep red merlot with a faint hint of leather, sexual musk and body heat over crushed roses, violets and myrtle.
Feminine sexuality in it's rawest form. Palmarosa, red sandalwood, attar of rose, patchouli.
Agony and ecstasy: black leather and damp red rose.
Whoso list to hunt, I know where is an hind!
But as for me, alas, I may no more;
The vain travail hath wearied me so sore,
I am of them that furthest come behind.
Yet may I by no means my wearied mind
Draw from the deer, but as she fleeth afore
Fainting I follow; I leave off therefore,
Since in a net I seek to hold the wind.
Who list her hunt, I put him out of doubt,
As well as I, may spend his time in vain.
And graven with diamonds in letters plain,
There is written her fair neck round about,
"Noli me tangere, for Caesar's I am,
And wild for to hold, though I seem tame."
Sensual brown musk, rich amber, English rose, oak bark, and moss.
A lovely gentleman's cologne. Smooth and deep with a little bite on top.